apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Planting with horses
Planting with horses by Antonio Ligabue

plate no. 0411

Planting with horses

Antonio Ligabue, 1956

oilNaïve Art (Primitivism)genre paintinghorsesvillageskycloudsfieldsfigure
some experience helpful

This painting provides practice in layering colors to create depth and texture, and simplifying complex forms into basic shapes. Students can learn to capture movement and energy through expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horses, village, and sky.

  2. step 02

    Block in the main colors for the sky, fields, and buildings using thin washes.

  3. step 03

    Add the base colors for the horses, dog, and figure, paying attention to their relative sizes and positions.

  4. step 04

    Begin layering colors to define the forms of the horses and add details to their harnesses.

  5. step 05

    Develop the village in the background, adding details to the buildings and trees.

  6. step 06

    Refine the sky and clouds, blending colors to create a sense of depth.

  7. step 07

    Add final details to the foreground, including the dog, figure, and cart.

  8. step 08

    Apply highlights and shadows to enhance the overall contrast and create a sense of realism.

color palette

primary · burnt umber · yellow ochre · cerulean blue

secondary · sap green · titanium white · ivory black

Mix various shades of brown for the horses by combining burnt umber, yellow ochre, and a touch of black. Achieve the green hues for the fields by mixing sap green with yellow ochre and white.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the details in the background, which can distract from the main subject.
  • →Failing to capture the movement and energy of the horses.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (burnt umber, yellow ochre, cerulean blue, sap green, titanium white, ivory black)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a fast-drying medium to speed up the drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden