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home·artworks·Place from a knoll Sacred Heart
Place from a knoll Sacred Heart by Edouard Cortes

plate no. 6812

Place from a knoll Sacred Heart

Edouard Cortes

oilPost-Impressionismcityscapecityscapebuildingsstreetfiguresnightreflections
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering reflections on wet surfaces. It also provides practice in depicting figures in motion and suggesting detail with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and the Sacré-Cœur in the background.

  2. step 02

    Establish the overall value structure, blocking in the darks and lights with thin washes.

  3. step 03

    Begin adding the warm glow of the streetlights and shop windows, using thicker paint.

  4. step 04

    Define the figures with simple shapes and gestures, paying attention to their interaction with the light.

  5. step 05

    Create the reflections on the wet street using horizontal brushstrokes and varying the color and value.

  6. step 06

    Add details to the buildings and vehicles, but avoid overworking them.

  7. step 07

    Refine the edges and soften the transitions between colors.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · cadmium red · ivory black

Mix various shades of gray and blue for the sky and buildings. Use yellow ochre and cadmium yellow for the warm light sources. Mix burnt umber and ultramarine blue for darks.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Making the reflections too symmetrical or uniform.
  • →Failing to capture the subtle color variations in the light and shadows.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium (e.g. Liquin)
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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