apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Pines at Rafina
Pines at Rafina by Konstantinos Maleas

plate no. 1907

Pines at Rafina

Konstantinos Maleas, 1920

oilPost-Impressionismlandscapetreesbeachsandskyfoliagesea
some experience helpful

Recreating this painting will help students practice layering colors to create texture and depth, as well as simplifying complex forms into geometric shapes. Students will also learn to use color temperature to create a sense of distance.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees, hills, and horizon line using light pencil strokes.

  2. step 02

    Block in the large areas of color: sky, sea, sand, and foliage, using diluted washes.

  3. step 03

    Begin layering colors on the sand to create texture and variations in tone.

  4. step 04

    Add details to the trees, focusing on the shapes of the branches and leaves.

  5. step 05

    Develop the foliage on the hills, using short, broken brushstrokes.

  6. step 06

    Refine the colors and values in the sky and sea.

  7. step 07

    Add the small details, such as the shadows on the sand and the highlights on the trees.

  8. step 08

    Review and adjust the overall composition, ensuring a balanced and harmonious result.

color palette

primary · titanium white · yellow ochre · ultramarine blue · sap green

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Create sandy tones by mixing yellow ochre, white, and a touch of burnt umber. Achieve the blue-grey tones of the tree trunks by mixing ultramarine blue, white, and a small amount of burnt umber.

techniques

  • ·broken color
  • ·scumbling
  • ·color layering
  • ·simplified forms
  • ·pointillism

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors straight from the tube without mixing them.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-textured canvas to enhance the broken color effect. Acrylics are more beginner-friendly due to their faster drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov