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home·artworks·Perugia Altarpiece (central panel)
Perugia Altarpiece (central panel) by Fra Angelico

plate no. 8582

Perugia Altarpiece (central panel)

Fra Angelico, 1448

panel, temperaEarly Renaissancereligious paintingMadonnaChildangelsthronereligiousfigures
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in achieving a smooth, blended finish typical of early Renaissance art.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with a smooth gesso layer.

  2. step 02

    Create a preliminary sketch outlining the main figures and architectural elements.

  3. step 03

    Block in the main areas of color: the gold background, the blue robes, the red underdress, and the flesh tones.

  4. step 04

    Begin layering and blending the colors to create smooth transitions and subtle shading.

  5. step 05

    Add details to the faces, hands, and drapery folds.

  6. step 06

    Paint the gold details on the throne, halos, and edges of the clothing.

  7. step 07

    Add the final details, such as the flowers and the patterns on the angels' robes.

  8. step 08

    Apply a varnish to protect the painting and enhance the colors.

color palette

primary · ultramarine blue · cadmium red · gold

secondary · yellow ochre · raw umber · titanium white

Achieve the flesh tones by mixing white, yellow ochre, and a touch of red. Create the blue by mixing ultramarine with a touch of white or black for shading. The gold is best achieved with gold leaf or metallic paint.

techniques

  • ·layering
  • ·blending
  • ·glazing
  • ·underpainting
  • ·gilding

common pitfalls

  • →Overworking the paint and losing the smooth finish.
  • →Creating harsh lines instead of soft transitions.
  • →Getting the proportions of the figures wrong.
  • →Using too much detail too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gesso
  • ·acrylic paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·gold leaf
  • ·metallic paint
  • ·retouch varnish

Use high-quality acrylic paints for best results. Consider using a medium to slow the drying time of the acrylics.

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