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home·artworks·Pears, Peaches, and Pitcher
Pears, Peaches, and Pitcher by Arshile Gorky

plate no. 7782

Pears, Peaches, and Pitcher

Arshile Gorky, 1927

oil, canvasPost-Impressionismstill lifestill lifefruitpitcherpearspeachestable
some experience helpful

This painting provides practice in observing subtle color variations in everyday objects and using visible brushstrokes to build form. Students will also learn to simplify complex shapes into basic geometric forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the pitcher, plate, and fruit, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background and tabletop with broad, loose strokes of muted greens and browns.

  3. step 03

    Block in the general colors of the fruit (yellows, greens, reds) and the pitcher (off-white/beige).

  4. step 04

    Begin layering colors to create form and volume, using short, visible brushstrokes.

  5. step 05

    Pay attention to the highlights and shadows on each object to create a sense of depth.

  6. step 06

    Mix subtle variations of color to capture the nuances of the fruit and pitcher.

  7. step 07

    Refine the edges of the objects and add details like the stem of the pears.

  8. step 08

    Add final highlights and shadows to enhance the overall impression.

color palette

primary · yellow ochre · raw umber · titanium white · sap green

secondary · cadmium red light · burnt sienna · ultramarine blue

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Achieve the off-white of the pitcher by mixing titanium white with small amounts of raw umber and yellow ochre.

techniques

  • ·broken color
  • ·scumbling
  • ·color layering
  • ·visible brushstrokes
  • ·simplifying forms

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the objects.
  • →Not establishing a strong sense of light and shadow.
  • →Getting bogged down in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·mahl stick

Use a limited palette of oil paints to encourage color mixing. A medium-sized canvas (16x20 inches) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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