apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peaceable Kingdom
Peaceable Kingdom by Edward Hicks

plate no. 9783

Peaceable Kingdom

Edward Hicks, 1830

oilNaïve Art (Primitivism)religious paintingfiguresanimalslandscapetreesskyreligious
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into basic shapes. It also provides practice in depicting a variety of textures, from fur to fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, animals, and landscape elements.

  2. step 02

    Block in the main color areas for the sky, ground, and background trees.

  3. step 03

    Begin adding details to the figures and animals, starting with the darkest values and gradually adding highlights.

  4. step 04

    Work on the landscape details, such as the trees, bushes, and grass, using layering and dry brushing techniques.

  5. step 05

    Refine the details of the figures in the background, paying attention to their simplified forms and clothing.

  6. step 06

    Add the text 'Good-Will to Men' and other inscriptions with a fine brush.

  7. step 07

    Adjust the overall color balance and contrast to create a sense of harmony and depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · cadmium red · ivory black

Mix various shades of brown and green by combining yellow ochre, raw umber, ultramarine blue, and ivory black. Use titanium white to lighten colors and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·simplification of forms

common pitfalls

  • →Overworking the details and losing the naïve charm of the original.
  • →Using colors that are too bright or saturated.
  • →Failing to simplify the forms of the figures and animals.
  • →Ignoring the importance of layering and glazing to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·retarder medium (for acrylics)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Acrylic paints are a good option for beginners due to their fast drying time and ease of cleanup.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden