apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Paysage pointilliste
Paysage pointilliste by Jean Metzinger

plate no. 6606

Paysage pointilliste

Jean Metzinger, 1907

oilPointillismlandscapelandscapetreeswaterfigureskyfoliage
some experience helpful

Recreating this painting will help students understand color mixing and optical blending through pointillism. It also provides practice in creating form and depth using small, distinct brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the landscape: horizon line, trees, figure, and water.

  2. step 02

    Establish the lightest areas of the painting with a base layer of off-white or pale yellow.

  3. step 03

    Begin applying small, individual dots of color, focusing on the sky and lighter areas first.

  4. step 04

    Gradually build up the density of color dots, layering different hues to create depth and form.

  5. step 05

    Pay close attention to the color relationships between adjacent dots to achieve optical blending.

  6. step 06

    Work from light to dark, gradually adding darker tones to define shadows and details.

  7. step 07

    Continuously step back to assess the overall balance and color harmony of the painting.

  8. step 08

    Add final details and adjust color values as needed to complete the pointillist effect.

color palette

primary · cerulean blue · cadmium red · lemon yellow · titanium white

secondary · viridian green · magenta · ultramarine blue

Mix greens by combining blues and yellows. Achieve lighter tones by mixing with white, and darker tones by adding small amounts of complementary colors.

techniques

  • ·pointillism
  • ·optical mixing
  • ·color layering
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying dots too uniformly, losing the sense of texture and variation.
  • →Ignoring the color relationships between adjacent dots.
  • →Failing to step back and assess the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·small round brushes (#2, #4)
  • ·palette
  • ·palette knife
  • ·water container
  • ·paper towels
  • ·easel

optional

  • ·medium gloss
  • ·retarder medium
  • ·color wheel

Use high-quality acrylic paints for best results. A small round brush is essential for creating the distinct dots of color in pointillism.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Ponte San Trovaso

Ponte San Trovaso

Henri-Edmond Cross

Sunday

Sunday

Paul Signac

Couple in the street

Couple in the street

Charles Angrand

Margery

Margery

Theo van Rysselberghe

Still Life with Pitcher and Vase of Flowers

Still Life with Pitcher and Vase of Flowers

Hippolyte Petitjean

La Femme à l'Éventail (Woman with Fan)

La Femme à l'Éventail (Woman with Fan)

Jean Metzinger

The Two Sisters

The Two Sisters

Georges Lemmen

Les Petits, Montagnes Mauresques

Les Petits, Montagnes Mauresques

Henri-Edmond Cross