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home·artworks·Paul Claudel, French Writer and Diplomat
Paul Claudel, French Writer and Diplomat by Jacques-Émile Blanche

plate no. 8853

Paul Claudel, French Writer and Diplomat

Jacques-Émile Blanche, 1919

oil, canvasPost-Impressionismportraitportraitfigurechairinteriormansuit
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere through loose brushwork and limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and the placement of the figure within the chair.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the darks of the suit and the mid-tones of the face and hands.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Add details to the suit and chair, using loose brushstrokes to suggest texture and form.

  6. step 06

    Develop the background, creating a sense of depth and atmosphere with soft, blended tones.

  7. step 07

    Add highlights and shadows to create contrast and dimension.

  8. step 08

    Refine the details and adjust the overall composition as needed.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt sienna · yellow ochre · alizarin crimson

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Add small amounts of burnt sienna and alizarin crimson to create warmer tones for the skin and background.

techniques

  • ·portraiture
  • ·value studies
  • ·loose brushwork
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details, resulting in a stiff or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of value in creating form and depth.
  • →Using too much color, resulting in a painting that looks garish or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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