apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Patio in Capri
Patio in Capri by Konstantin Gorbatov

plate no. 1768

Patio in Capri

Konstantin Gorbatov, 1925

oil, canvasPost-Impressionismlandscapepatioarchitecturefoliagemountainsseashadows
some experience helpful

Recreating this painting will help students develop skills in color mixing to capture subtle variations in light and shadow, as well as practice layering techniques to create depth and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the patio and the placement of key elements like the pillars and foliage.

  2. step 02

    Block in the large areas of color, starting with the sky, mountains, and sea in the background.

  3. step 03

    Establish the light and shadow patterns on the patio floor and walls, using a limited palette of warm and cool tones.

  4. step 04

    Develop the foliage, using broken brushstrokes to create texture and depth.

  5. step 05

    Add details to the architectural elements, such as the pillars, walls, and flower pots.

  6. step 06

    Refine the colors and values, paying attention to the subtle shifts in light and shadow.

  7. step 07

    Add final details, such as the highlights on the foliage and the texture of the stone.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt sienna

secondary · sap green · cadmium red · violet

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for warmer or cooler tones. Use white to lighten colors and create highlights. Mix violet with red and blue for shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle shifts in light and shadow.
  • →Using colors that are too saturated or intense.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, burnt sienna, sap green, cadmium red, violet)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov