plate no. 2092
Pastry Chefs
Maxfield Parrish, 1925
study guide
est. 25 hrsapproach — 8 steps
- step 01
Create a detailed line drawing of the composition, paying attention to proportions and symmetry.
- step 02
Seal the canvas with a layer of gesso and let it dry.
- step 03
Apply an imprimatura layer of burnt sienna or a similar warm earth tone.
- step 04
Begin blocking in the main shapes and values using thin washes of color.
- step 05
Gradually build up layers of color using glazing techniques, allowing each layer to dry before applying the next.
- step 06
Focus on rendering the details of the clock, utensils, and figures, paying attention to highlights and shadows.
- step 07
Refine the edges and details, adding final touches of color and highlights.
- step 08
Varnish the painting to protect it and enhance the colors.
color palette
primary · yellow ochre · burnt sienna · ivory black · titanium white
secondary · ultramarine blue · cadmium red · gold
Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white, adjusting the proportions to create variations. Create metallic effects by layering gold or yellow ochre with burnt sienna and ivory black for shadows.
techniques
- ·glazing
- ·scumbling
- ·blending
- ·underpainting
- ·rendering
common pitfalls
- →Overworking the details too early in the process.
- →Failing to create a strong underpainting to establish values.
- →Using colors straight from the tube without mixing them.
- →Not allowing each layer of glaze to dry completely before applying the next.
materials
surface · stretched canvas
required
- ·stretched canvas
- ·gesso
- ·acrylic or oil paints
- ·linseed oil or glazing medium
- ·assorted brushes (round and flat)
- ·palette
- ·palette knife
- ·rags
optional
- ·retouch varnish
- ·medium gloss
- ·easel
Use high-quality paints and brushes for best results. Allow each layer of glaze to dry completely before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
