apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Parisian Suburb
Parisian Suburb by Albert Marquet

plate no. 0154

Parisian Suburb

Albert Marquet, 1897

oilPost-Impressionismlandscapelandscapebuildingstreesskycityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to build texture. Students will also learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Block in the sky with a thin wash of pale pink and grey.

  3. step 03

    Establish the large areas of green for the fields and trees, using a mix of greens and browns.

  4. step 04

    Add the darker masses of trees and foliage, varying the greens and using dark browns and blacks for shadows.

  5. step 05

    Paint the buildings with ochre, yellow, and orange, paying attention to the light and shadow on the rooftops.

  6. step 06

    Define the road with reddish-brown and grey tones, adding subtle variations in color.

  7. step 07

    Refine the details and add highlights to create depth and texture.

  8. step 08

    Add final touches and adjust colors as needed to achieve the overall mood.

color palette

primary · yellow ochre · sap green · burnt umber · titanium white

secondary · cadmium yellow · cadmium red · ultramarine blue · raw sienna

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Create browns by mixing burnt umber with yellow ochre and a touch of red. Achieve the sky color by mixing white with small amounts of red and blue.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the forms.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value and contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov