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home·artworks·Paris, L'Eglise de la Trinité
Paris, L'Eglise de la Trinité by Louis Vivin

plate no. 9038

Paris, L'Eglise de la Trinité

Louis Vivin

oilNaïve Art (Primitivism)cityscapechurchbuildingscityscapefiguresvehiclessky
some experience helpful

Recreating this painting helps develop skills in architectural rendering with simplified forms and understanding atmospheric perspective through color variations. Students will also learn to create a sense of depth using linear perspective and size relationships.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the church and surrounding buildings, paying attention to their relative sizes and positions.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective of the buildings and street.

  3. step 03

    Block in the main colors of the sky, buildings, and ground, using thin washes of paint.

  4. step 04

    Add details to the church and buildings, such as windows, doors, and architectural elements, using fine brushstrokes.

  5. step 05

    Paint the figures and vehicles, simplifying their forms and using a limited color palette.

  6. step 06

    Add shadows and highlights to create depth and dimension, paying attention to the direction of light.

  7. step 07

    Refine the details of the cobblestone street and other foreground elements.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · light blue · beige · grey

secondary · green · red · black

Mix light blue with white for the sky, beige with brown and yellow for the buildings, and grey with black and white for the cobblestone street. Use muted tones for a vintage feel.

techniques

  • ·linear perspective
  • ·simplified forms
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overcomplicating the details of the architecture.
  • →Incorrect perspective leading to a distorted image.
  • →Using colors that are too bright or saturated.
  • →Not establishing a clear focal point.
  • →Ignoring the relative sizes of objects in the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (various sizes)
  • ·flat brushes
  • ·palette
  • ·water
  • ·pencil

optional

  • ·palette knife
  • ·ruler
  • ·easel
  • ·medium

Use a smooth canvas for best results. Acrylic paints are recommended for their fast drying time and ease of use.

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oil painting for beginners →how to learn by studying the masters →
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