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Palermo by Ion Theodorescu-Sion

plate no. 9229

Palermo

Ion Theodorescu-Sion

oilPost-Impressionismcityscapebuildingsboatspalm treescityscapeskybeach
some experience helpful

Recreating this painting will help students develop skills in layering paint to create texture and capturing the essence of a scene with expressive brushstrokes rather than precise detail. It's also a great exercise in understanding color temperature and how it affects the overall mood.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the placement of the buildings, trees, and boats.

  2. step 02

    Block in the large areas of color, starting with the sky and the general tones of the buildings and ground.

  3. step 03

    Add the darker values to create depth and shadow, paying attention to the contrast between light and dark areas.

  4. step 04

    Begin layering colors to build up texture and detail in the buildings, trees, and boats.

  5. step 05

    Use short, broken brushstrokes to create the foliage of the palm trees and the texture of the ground.

  6. step 06

    Add highlights to the buildings and boats to create a sense of light and form.

  7. step 07

    Refine the details and adjust the colors as needed to achieve the desired effect.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · sap green · cadmium red · yellow ochre

Mix ultramarine blue with burnt sienna and white to create the various shades of the sky. Use yellow ochre and burnt sienna for the buildings and ground, adding white for highlights. Mix sap green with ultramarine blue and yellow ochre for the palm tree foliage.

techniques

  • ·broken color
  • ·impasto
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use good quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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