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home·artworks·Paisagem com riacho
Paisagem com riacho by Mario Zanini

plate no. 7360

Paisagem com riacho

Mario Zanini, 1966

oilPost-Impressionismcityscapecityscapetreesfigureswaterskyarchitecture
some experience helpful

This painting provides practice in simplifying complex scenes into basic shapes and using visible brushstrokes to create texture. Students will learn to mix muted colors and create a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the composition: the horizon line, the trees, the figures, the bridge, and the building with the steeple.

  2. step 02

    Block in the sky with a thin wash of muted gray and yellow.

  3. step 03

    Establish the dark values of the tree trunks and branches using a mix of burnt umber and black.

  4. step 04

    Paint the foliage with varying shades of green, using short, visible brushstrokes to create texture.

  5. step 05

    Add the figures with simplified shapes and colors, focusing on capturing their posture and relationship to the scene.

  6. step 06

    Paint the bridge and the water below, reflecting the colors of the sky and surrounding objects.

  7. step 07

    Add details to the building with the steeple, using a small brush to define its shape and features.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · sap green · ultramarine blue · burnt umber

secondary · titanium white · cadmium red

Mix greens by blending yellow ochre and ultramarine blue. Mute colors by adding a touch of complementary color (e.g., a little red to green).

techniques

  • ·blocking in
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Failing to establish a clear focal point
  • →Ignoring the effects of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning)

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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