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home·artworks·Painting of a tennis court Castle Guernon Ranville
Painting of a tennis court Castle Guernon Ranville by Edouard Vuillard

plate no. 2425

Painting of a tennis court Castle Guernon Ranville

Edouard Vuillard, 1907

oilPost-Impressionismgenre paintingfigurestennis courtgardentreesbuildingsky
some experience helpful

Recreating this painting will help students practice capturing light and shadow with visible brushstrokes and learn to simplify complex scenes into basic shapes and colors. It also provides an opportunity to study color mixing to achieve nuanced skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and composition.

  2. step 02

    Block in the background with broad strokes, establishing the overall color scheme.

  3. step 03

    Start with the darkest values, gradually adding lighter tones to create depth.

  4. step 04

    Define the figures with more detail, paying attention to the folds of the clothing and facial features.

  5. step 05

    Add the tennis court lines and other details in the background.

  6. step 06

    Refine the brushwork, using short, broken strokes to create texture and movement.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figures and objects.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making final adjustments as needed.

color palette

primary · yellow ochre · raw umber · titanium white · ultramarine blue

secondary · cadmium yellow · burnt sienna · viridian

Mix white with yellow ochre and a touch of burnt sienna for the skin tones. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for the clouds. Mix greens from ultramarine blue and cadmium yellow.

techniques

  • ·broken brushstrokes
  • ·color layering
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →overworking the details
  • →muddying the colors
  • →losing the overall composition
  • →not establishing a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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