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home·artworks·Painting cycle for the miracles of St. Bernard, scene: Healing the blind and deaf Riccardo Micuzio dall 'Aquila
Painting cycle for the miracles of St. Bernard, scene: Healing the blind and deaf Riccardo Micuzio dall 'Aquila by Pinturicchio

plate no. 9296

Painting cycle for the miracles of St. Bernard, scene: Healing the blind and deaf Riccardo Micuzio dall 'Aquila

Pinturicchio, 1473

oilEarly Renaissancereligious paintingfiguresarchitectureinteriorreligious scenewindowsmarble floor
experienced study

Recreating this painting will help students develop skills in perspective, figure drawing, and rendering architectural details. It will also provide practice in mixing subtle color variations to create depth and form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to perspective and proportions.

  2. step 02

    Block in the main areas of color, starting with the background and architectural elements.

  3. step 03

    Begin to define the figures, focusing on their poses and clothing.

  4. step 04

    Add details to the architectural elements, such as the windows, arches, and decorations.

  5. step 05

    Refine the figures, adding details to their faces, hands, and clothing.

  6. step 06

    Paint the marble floor, paying attention to the perspective lines.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the colors.

color palette

primary · white · red · blue · gold

secondary · brown · ochre · grey

Achieve the subtle pinks of the walls by mixing white with a touch of red and ochre. Create the marble floor by mixing white with grey and blue, and adding darker shades for the shadows.

techniques

  • ·linear perspective
  • ·figure drawing
  • ·glazing
  • ·underpainting
  • ·color layering

common pitfalls

  • →Incorrect perspective
  • →Poor figure proportions
  • →Overly bright colors
  • →Lack of depth
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·linseed oil or acrylic medium
  • ·pencil
  • ·ruler

optional

  • ·palette knife
  • ·varnish
  • ·easel

Use high-quality paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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