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home·artworks·Over the Water
Over the Water by Adalbert Erdeli

plate no. 5449

Over the Water

Adalbert Erdeli

oilPost-Impressionismlandscapetreeswaterlandscapeskyreflectionfoliage
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and understanding color temperature to create depth. It also provides practice in capturing reflections and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the landscape: horizon line, mountains, trees, and water.

  2. step 02

    Block in the sky with light yellow and blue hues, blending softly.

  3. step 03

    Establish the darker values of the mountains and trees using browns and greens.

  4. step 04

    Paint the water with a base of yellow, adding reflections of the trees and sky using vertical strokes.

  5. step 05

    Add details to the trees, varying the greens and yellows to create depth and texture.

  6. step 06

    Refine the reflections in the water, paying attention to the shapes and values.

  7. step 07

    Add final touches to the foreground, including the grassy bank and the rock.

  8. step 08

    Review and adjust values and colors as needed to create a cohesive and atmospheric landscape.

color palette

primary · yellow ochre · sap green · burnt umber · titanium white

secondary · cerulean blue · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre, sap green, and a touch of blue. Browns can be created by mixing burnt umber with crimson and yellow. Use white to lighten values and create highlights.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the reflections too literal and symmetrical.
  • →Not varying the greens enough, resulting in a flat, monotonous appearance.
  • →Failing to establish a clear light source and consistent values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to allow for better paint adhesion and texture. Acrylics are suitable for beginners due to their fast drying time, while oils offer more blending capabilities.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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