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home·artworks·Outside the Mosque
Outside the Mosque by Rudolf Ernst

plate no. 8579

Outside the Mosque

Rudolf Ernst

oilOrientalismgenre paintingfiguresarchitecturearchesrugsmarketcourtyard
experienced study

Recreating this painting will help students develop skills in rendering figures in realistic light and shadow, as well as creating the illusion of depth and perspective in architectural settings. It will also help with color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the architecture.

  2. step 02

    Block in the main shapes of the figures and objects, paying attention to their proportions and placement.

  3. step 03

    Establish the basic color palette by applying thin washes of color to the background and architectural elements.

  4. step 04

    Start building up the values and details in the figures, focusing on the light and shadow patterns.

  5. step 05

    Add details to the architectural elements, such as the arches, columns, and tilework.

  6. step 06

    Work on the textures of the fabrics, rugs, and other objects, using a variety of brushstrokes.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · viridian green · raw sienna

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white, with small amounts of cadmium red for warmth. Create the turquoise tiles by mixing ultramarine blue, viridian green, and titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective in the architecture.
  • →Overly saturated colors that detract from the realism.
  • →Poorly rendered figures with inaccurate proportions.
  • →Lack of attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for building up layers of paint.

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