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home·artworks·Outside Cairo
Outside Cairo by Cesare Biseo

plate no. 1144

Outside Cairo

Cesare Biseo

oil, canvasOrientalismgenre paintingcityscapemarketfiguresanimalsarchitecturesky
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex scenes with many figures and architectural details. It also provides practice in creating a sense of depth and capturing the effects of light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horizon line.

  2. step 02

    Establish the sky with a light blue wash, blending it slightly towards the horizon.

  3. step 03

    Block in the large shapes of the buildings and the ground with basic earth tones.

  4. step 04

    Begin adding details to the architecture, paying attention to the light and shadow patterns.

  5. step 05

    Start painting the figures, using small brushstrokes to suggest their forms and clothing.

  6. step 06

    Add details to the animals, focusing on their anatomy and texture.

  7. step 07

    Refine the details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green

Mix various shades of blue and white for the sky. Use yellow ochre and burnt umber to create the warm tones of the buildings and ground. Add small amounts of red and green to create variations in the figures' clothing and the foliage.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating figures that are too stiff or unnatural.
  • →Failing to establish a clear focal point.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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