apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Oscar Mendelsohn, Esq. F.R.I.C.
Oscar Mendelsohn, Esq. F.R.I.C. by Max Meldrum

plate no. 1303

Oscar Mendelsohn, Esq. F.R.I.C.

Max Meldrum, 1936

oilTonalismportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using tonal values to create form. It also provides practice in simplifying complex shapes and using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and features.

  2. step 02

    Establish the overall tonal values of the background, face, and clothing using thin washes.

  3. step 03

    Begin building up the form of the face by layering darker and lighter tones, focusing on the planes of the face.

  4. step 04

    Define the features (eyes, nose, mouth) with subtle variations in value and color.

  5. step 05

    Paint the hair, paying attention to the direction of the brushstrokes to suggest volume and texture.

  6. step 06

    Add details to the clothing, such as the collar, tie, and jacket, using similar tonal values.

  7. step 07

    Refine the edges and details, softening or sharpening them as needed to create depth and focus.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Achieve the skin tones by mixing raw umber, titanium white, and a touch of yellow ochre or burnt sienna. Adjust the values by adding more white or black.

techniques

  • ·tonal painting
  • ·layering
  • ·blending
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details too early
  • →Using too much color
  • →Ignoring the underlying tonal structure
  • →Getting proportions wrong in the initial sketch

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·mahl stick

Use a canvas with a smooth surface for easier blending. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Spring, Hudson River

Spring, Hudson River

Leon Dabo

Oraibi, Hopi village, Arizona

Oraibi, Hopi village, Arizona

Xavier Martinez

The Farmyard

The Farmyard

Albert Pinkham Ryder

Woodland Vista

Woodland Vista

Ralph Blakelock

Landscape

Landscape

Leon Dabo

Untitled (Moon Over a Harbor)

Untitled (Moon Over a Harbor)

Edward Mitchell Bannister

Afternoon in Piedmont (Elsie Whitaker Martinez)

Afternoon in Piedmont (Elsie Whitaker Martinez)

Xavier Martinez

Near Conway, North Wales

Near Conway, North Wales

Alexander Helwig Wyant