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Open Window by Grace Cossington Smith

plate no. 6511

Open Window

Grace Cossington Smith, 1919

oilPost-Impressionismgenre paintingfigureinteriorwindowtreesfurnitureroom
some experience helpful

Recreating this painting will help students practice color mixing to achieve subtle variations and learn to suggest form with visible brushstrokes. It also provides practice in creating a sense of depth through color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figure, window, and furniture.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the figure and interior.

  3. step 03

    Develop the color variations within each area, using short, broken brushstrokes.

  4. step 04

    Add details to the figure, such as the face and hands, and to the furniture and objects in the room.

  5. step 05

    Refine the edges and shapes, paying attention to the way the light falls on the scene.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the colors and values as needed to create a harmonious and balanced composition.

color palette

primary · yellow ochre · burnt umber · titanium white · sap green

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix yellow ochre and burnt umber with white for the figure's clothing and the interior walls. Use sap green and cadmium yellow for the foliage outside the window. Add touches of alizarin crimson to warm the browns and greens.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overblending the colors, resulting in a muddy or flat appearance.
  • →Failing to capture the subtle color variations in the scene.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Using too much paint, resulting in a thick and heavy texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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