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home·artworks·On the Veranda
On the Veranda by Nicolae Tonitza

plate no. 1792

On the Veranda

Nicolae Tonitza

oilPost-Impressionismportraitfigureportraitmotherbabyverandatrees
some experience helpful

This painting provides an opportunity to practice simplified forms and color blocking. Students can learn to create depth using subtle value changes and broken color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figures, the veranda structure, and the background elements.

  2. step 02

    Block in the large areas of color: the sky, the trees, the red veranda, and the white clothing.

  3. step 03

    Begin refining the shapes of the figures, paying attention to the folds and contours of the clothing.

  4. step 04

    Add details to the faces, using small brushstrokes and subtle color variations.

  5. step 05

    Develop the background by adding layers of color and texture to the trees and foliage.

  6. step 06

    Refine the red veranda structure, adding highlights and shadows to create depth.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · cadmium red · sap green

secondary · yellow ochre · raw umber · gray

Mix various shades of white with small amounts of yellow ochre, raw umber, or gray to create the subtle variations in the clothing. Use cadmium red straight from the tube for the veranda, and mix sap green with yellow ochre and raw umber for the foliage.

techniques

  • ·broken color
  • ·color blocking
  • ·simplified forms
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the simplified forms.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle value changes in the white clothing.
  • →Ignoring the overall color harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·gray oil paint
  • ·assorted brushes (flat and round)

optional

  • ·palette knife
  • ·painting medium (linseed oil or alkyd medium)
  • ·easel

Use a medium-textured canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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