plate no. 3569
On the Stairs of the Temple
Eric Fischl, 1989
some experience helpful
Recreating this painting will help students develop skills in depicting figures in a complex architectural setting and understanding how light and shadow define form and create atmosphere.
technical profile
palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3
study guide
est. 15 hrsapproach — 8 steps
- step 01
Create a preliminary sketch to establish the composition and proportions of the temple, figures, and statues.
- step 02
Block in the main shapes and values using a limited palette of earth tones and blues.
- step 03
Establish the light source and begin to develop the highlights and shadows on the figures and architecture.
- step 04
Refine the details of the figures, paying attention to anatomy and facial expressions.
- step 05
Add details to the architectural elements, such as the carvings and textures of the stone.
- step 06
Paint the monkeys and statues, focusing on their unique forms and textures.
- step 07
Adjust the overall color harmony and value contrast to create a sense of depth and atmosphere.
- step 08
Add final details and highlights to complete the painting.
color palette
primary · raw umber · burnt sienna · titanium white
secondary · ultramarine blue · cadmium red light · yellow ochre
Mix various shades of green by combining ultramarine blue and yellow ochre. Achieve the pinkish hues by mixing cadmium red light with titanium white, and adding a touch of raw umber to mute the color.
techniques
- ·blocking in
- ·value studies
- ·layering
- ·blending
- ·scumbling
common pitfalls
- →Incorrect proportions of the figures or architecture
- →Overworking the details too early in the process
- →Failing to establish a clear light source
- →Inaccurate color mixing leading to a muddy appearance
materials
surface · stretched canvas
required
- ·stretched canvas
- ·raw umber oil paint
- ·burnt sienna oil paint
- ·titanium white oil paint
- ·ultramarine blue oil paint
- ·cadmium red light oil paint
- ·round brushes sizes 2, 4, 6
- ·linseed oil
optional
- ·palette knife
- ·painting medium
- ·varnish
Use a medium-grit canvas to allow for layering and blending. Consider using a toned canvas to establish a base color and simplify the initial blocking-in process.
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