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home·artworks·On The River Benares
On The River Benares by Edwin Lord Weeks

plate no. 0862

On The River Benares

Edwin Lord Weeks, 1883

oil, canvasOrientalismcityscaperiverbuildingsfiguresboatscityscapesteps
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, as well as capturing the reflections and movement of water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the buildings and river.

  2. step 02

    Block in the large shapes of the buildings, river, and sky with thin washes of color.

  3. step 03

    Establish the main light and shadow patterns on the buildings and figures.

  4. step 04

    Start adding details to the buildings, such as windows, arches, and decorative elements.

  5. step 05

    Paint the figures, paying attention to their poses and interactions.

  6. step 06

    Develop the reflections in the water, using broken brushstrokes and subtle color variations.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Refine the edges and details to bring the painting to a finished state.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · raw umber · ivory black

Achieve the warm tones of the buildings by mixing yellow ochre, burnt sienna, and a touch of cadmium red. Create the cool tones of the water by mixing ultramarine blue, titanium white, and a touch of raw umber.

techniques

  • ·broken color
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle color variations in the water and reflections.
  • →Not paying attention to the perspective of the buildings and figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt sienna, ultramarine blue, titanium white, cadmium red, raw umber, ivory black)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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