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home·artworks·On the Beach
On the Beach by Roman Selsky

plate no. 1243

On the Beach

Roman Selsky, 1970

oilPost-Impressionismnude painting (nu)figuresbeachskywaterboatsclouds
some experience helpful

Recreating this painting will help students practice color mixing to achieve skin tones and learn how to simplify complex forms into basic shapes. It also encourages expressive brushwork to convey texture and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figures, boats, and background elements.

  2. step 02

    Block in the large areas of color for the sky, water, and ground using thin washes.

  3. step 03

    Mix skin tones using a limited palette and apply them to the figures, paying attention to light and shadow.

  4. step 04

    Add details to the figures, such as hair and facial features, using small brushstrokes.

  5. step 05

    Paint the boats and other background elements, simplifying their forms and colors.

  6. step 06

    Develop the textures of the beach and clouds with expressive brushwork.

  7. step 07

    Refine the composition by adjusting colors and values as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · titanium white · yellow ochre · raw umber

secondary · cadmium yellow · alizarin crimson · viridian

Mix skin tones by combining white, yellow ochre, and alizarin crimson, adjusting the proportions to achieve different shades. Use ultramarine blue and white for the sky, adding small amounts of yellow ochre for variation.

techniques

  • ·color mixing
  • ·blocking in
  • ·expressive brushwork
  • ·simplification of forms
  • ·layering

common pitfalls

  • →Overworking the details
  • →Getting bogged down in realistic rendering
  • →Using too many colors
  • →Ignoring the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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