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home·artworks·On the barn
On the barn by Pellizza da Volpedo

plate no. 1563

On the barn

Pellizza da Volpedo, 1893

oil, canvasSocial Realismgenre paintingfiguresbarnhaybuildingstreeslandscape
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth through subtle value and color changes. It also provides practice in rendering figures in a muted, realistic style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the barn structure, figures, and distant buildings.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes.

  3. step 03

    Gradually build up the colors, starting with the background and working towards the foreground.

  4. step 04

    Pay close attention to the subtle color shifts in the hay and the figures' clothing.

  5. step 05

    Use small, broken brushstrokes to create texture and visual interest.

  6. step 06

    Refine the details of the figures and buildings, focusing on accurate proportions and subtle shading.

  7. step 07

    Add highlights to create a sense of light and atmosphere.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · yellow ochre · cadmium red light

Achieve the muted tones by mixing earth tones with small amounts of blue and white. Use yellow ochre and red to create the warm hues of the buildings and hay.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·glazing
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and bright.
  • →Failing to create a strong value structure.
  • →Ignoring the subtle color shifts in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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