apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Windfall
Old Windfall by Neil Welliver

plate no. 3221

Old Windfall

Neil Welliver, 1982

oilContemporary Realismlandscapeforesttreeswoodsfallen logsfoliagelandscape
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective in a dense forest environment. It will also improve their ability to represent complex natural forms with simplified brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main tree trunks and the general layout of the fallen logs, focusing on perspective.

  2. step 02

    Establish the darkest values in the shadows beneath the logs and within the foliage.

  3. step 03

    Begin layering different shades of green and brown to build up the texture of the forest floor and tree bark.

  4. step 04

    Use lighter greens and yellows to represent highlights on the leaves and sunlit areas.

  5. step 05

    Add details to the tree trunks and branches, paying attention to the direction of light.

  6. step 06

    Refine the foliage by adding small, individual brushstrokes to suggest leaves.

  7. step 07

    Introduce subtle variations in color and value to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensional effect.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the various greens by mixing sap green with yellow ochre and ultramarine blue. Use raw umber and burnt sienna for the browns, and lighten with titanium white. Add small amounts of blue to darken greens and create shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating a flat, uniform green color instead of varying the shades and tones.
  • →Failing to establish a strong sense of depth and perspective.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·photo reference

A medium-sized canvas (e.g., 16x20 inches) is recommended for this project. Use good quality paints for best results.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Fifth Ave

Fifth Ave

Pietropoli Patrick

July

July

Fairfield Porter

Tresco

Tresco

John Miller

Pope John Paul II

Pope John Paul II

Nelson Shanks

Dog and Groom

Dog and Groom

Alex Colville

Beach with Palm

Beach with Palm

John Miller

Au Wihlering II

Au Wihlering II

Gazmend Freitag

Dan Cowan

Dan Cowan

Richard Whitney