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home·artworks·Old Town. Winter
Old Town. Winter by Konstantin Gorbatov

plate no. 9676

Old Town. Winter

Konstantin Gorbatov, 1911

oil, canvasPost-Impressionismlandscapesnowbuildingsvillagewinterskytrees
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and shadows, as well as practice creating depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings and the horizon line.

  2. step 02

    Establish the sky with a light, muted color, blending it smoothly.

  3. step 03

    Block in the large shapes of the snow-covered ground, using varying shades of blue and white to indicate shadows and highlights.

  4. step 04

    Paint the buildings in the background, paying attention to their relative size and placement.

  5. step 05

    Add details to the buildings, such as windows and roofs, using a smaller brush.

  6. step 06

    Paint the trees and branches in the foreground, using dark, thin lines.

  7. step 07

    Refine the snow texture with short, broken brushstrokes, adding highlights and shadows.

  8. step 08

    Add final details and adjust colors as needed to create a cohesive and atmospheric effect.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · cadmium red · viridian

Mix white with small amounts of blue and yellow ochre to create the cool tones of the snow. Use burnt umber and ultramarine blue for the darker shadows. Add small amounts of cadmium red to warm up certain areas.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·color temperature

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations in the snow.
  • →Making the buildings too detailed or uniform.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

A slightly textured canvas will help to create the broken color effect. Use a limited palette to achieve color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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