apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old town II
Old town II by Wassily Kandinsky

plate no. 4625

Old town II

Wassily Kandinsky, 1902

oil, canvasPost-Impressionismcityscapecityscapebuildingstreeshillsskyfigure
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve vibrant greens and earth tones, as well as practice applying visible brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and path.

  2. step 02

    Block in the large areas of color: sky, hills, buildings, and path.

  3. step 03

    Begin adding darker values to define shadows and create depth.

  4. step 04

    Mix various shades of green and apply short, choppy brushstrokes to the hills to create texture.

  5. step 05

    Add details to the buildings, such as windows and roof lines, using small brushstrokes.

  6. step 06

    Paint the figure on the path, keeping it simple and stylized.

  7. step 07

    Refine the colors and values, adding highlights and shadows as needed.

  8. step 08

    Add final details and adjust the overall composition.

color palette

primary · yellow ochre · sap green · cadmium red · ultramarine blue

secondary · burnt umber · titanium white · cadmium yellow

Mix greens by combining yellow and blue, and adjust with white or burnt umber. Achieve the earth tones by mixing yellow ochre, burnt umber, and red.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Making the brushstrokes too uniform, losing the textured effect.
  • →Not paying attention to the values, resulting in a flat image.
  • →Getting the perspective of the buildings wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints: yellow ochre, sap green, cadmium red, ultramarine blue, burnt umber, titanium white, cadmium yellow
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov