apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Indian House, Northern British Columbia
Old Indian House, Northern British Columbia by Emily Carr

plate no. 3625

Old Indian House, Northern British Columbia

Emily Carr, 1912

oilPost-Impressionismlandscapetotem polefigurestreesbuildingskyboat
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and forms. It also encourages expressive brushwork to capture the mood and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the totem pole, building, and figures.

  2. step 02

    Block in the large areas of color, starting with the sky and background.

  3. step 03

    Add the darker values to define the shadows and create depth.

  4. step 04

    Develop the details of the totem pole, paying attention to the shapes and patterns.

  5. step 05

    Work on the figures, simplifying their forms and focusing on their gestures.

  6. step 06

    Add the details of the building, including the eyes and the texture of the wood.

  7. step 07

    Refine the colors and values, adjusting the overall balance of the painting.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · payne's grey

Mix greens by combining ultramarine blue and ochre or sap green. Create muted tones by mixing complementary colors (red and green, blue and orange).

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·expressive brushwork

common pitfalls

  • →Getting bogged down in details too early.
  • →Overworking the colors and losing the freshness of the brushstrokes.
  • →Failing to simplify the complex shapes and forms.
  • →Not paying attention to the overall value structure of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·apron

Use a medium-textured canvas to allow for expressive brushwork. Acrylics are faster drying and easier to clean, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov