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home·artworks·Old Corn Mill, Stockbridge
Old Corn Mill, Stockbridge by John Bradley

plate no. 3169

Old Corn Mill, Stockbridge

John Bradley

oilNaïve Art (Primitivism)landscaperivertreesbuildingfigureslandscapesky
some experience helpful

Recreating this painting will help students practice atmospheric perspective and learn to simplify complex scenes into basic shapes and values. It also provides practice in capturing the subtle nuances of light and shadow in a muted color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, building, and trees.

  2. step 02

    Establish the sky with a thin wash of blue and gray, blending the colors softly.

  3. step 03

    Block in the large shapes of the landscape with muted greens and browns, paying attention to the values.

  4. step 04

    Add the building and trees, refining their shapes and adding details.

  5. step 05

    Paint the river, capturing the reflections and subtle color variations.

  6. step 06

    Add the figures and other small details, using small brushstrokes.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna

Mix muted greens by combining Prussian blue, yellow ochre, and raw umber. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·wet-on-wet blending
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Ignoring atmospheric perspective and creating a flat, unrealistic landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a limited palette to create a harmonious color scheme. Consider using a toned canvas to establish a base value.

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