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home·artworks·Office in a Small City
Office in a Small City by Edward Hopper

plate no. 4584

Office in a Small City

Edward Hopper, 1953

oil, canvasNew Realismcityscapecityscapebuildingfigureskywindowarchitecture
some experience helpful

This painting is great for learning about blocking in shapes and creating a sense of depth using atmospheric perspective. Students can also practice rendering light and shadow on simple forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the window frame and the placement of the figure and buildings.

  2. step 02

    Block in the large areas of color: sky, buildings, and the interior space.

  3. step 03

    Establish the light and shadow patterns on the window frame and the buildings.

  4. step 04

    Refine the details of the figure, paying attention to the light on his face and hands.

  5. step 05

    Add details to the buildings, such as windows and architectural features.

  6. step 06

    Adjust the colors and values to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · raw sienna · ivory black

Mix various shades of gray and off-white by combining white with small amounts of black, umber, and ochre. Achieve the sky color by mixing ultramarine blue with white and a touch of yellow ochre. Create the building colors by mixing burnt umber, raw sienna, and black.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·color mixing
  • ·rendering light and shadow
  • ·scumbling

common pitfalls

  • →Getting the proportions of the window frame wrong.
  • →Failing to create a sense of depth.
  • →Overworking the details.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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