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home·artworks·Obama Forign Policy
Obama Forign Policy by Jon Mcnaughton

plate no. 8913

Obama Forign Policy

Jon Mcnaughton

oilSocial Realismsymbolic paintingfiguregolfskycloudsfiregrass
some experience helpful

Recreating this painting will help students develop skills in figure painting, atmospheric perspective, and creating a dramatic narrative through color and composition. It also provides practice in rendering textures like smoke, fire, and grass.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main elements of the background.

  2. step 02

    Establish the main color blocks for the sky, ground, and figure using thin washes.

  3. step 03

    Begin building up the background, focusing on the atmospheric perspective and the rendering of the fire and smoke.

  4. step 04

    Develop the figure, paying attention to the proportions, anatomy, and lighting.

  5. step 05

    Add details to the figure, such as the clothing, facial features, and golf club.

  6. step 06

    Refine the foreground, adding details to the grass and the golf ball.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and drama.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · cadmium red · titanium white · ultramarine blue

secondary · yellow ochre · ivory black

Mix various shades of brown and gray for the smoke and clouds. Use cadmium red and yellow ochre for the fire, and mix greens for the grass using ultramarine blue and yellow ochre. Use titanium white to create highlights.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth in the background.
  • →Overworking the details and losing the overall impact.
  • →Not paying attention to the lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, cadmium red, titanium white, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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