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home·artworks·Nude Woman with Drapery
Nude Woman with Drapery by Suzanne Valadon

plate no. 0558

Nude Woman with Drapery

Suzanne Valadon, 1919

oil, canvasPost-Impressionismnude painting (nu)figurenudedraperyinteriorfabricbackground
some experience helpful

This painting offers a good opportunity to practice figure drawing, color mixing for skin tones, and creating texture with visible brushstrokes. Students can also learn about simplifying complex forms and creating a sense of depth through color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, mixing a range of warm and cool colors.

  4. step 04

    Add details to the drapery, paying attention to the folds and highlights.

  5. step 05

    Develop the background, creating a sense of depth with subtle color variations.

  6. step 06

    Refine the edges and contours of the figure, using a variety of brushstrokes.

  7. step 07

    Add final details, such as the hair and facial features.

  8. step 08

    Review the painting and make any necessary adjustments.

color palette

primary · yellow ochre · cadmium red · titanium white

secondary · burnt umber · ultramarine blue · viridian

Mix skin tones by blending yellow ochre, cadmium red, and titanium white. Use burnt umber and ultramarine blue to create shadows and darker tones. Add viridian for subtle green undertones in the skin.

techniques

  • ·color mixing
  • ·figure drawing
  • ·visible brushstrokes
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Getting the proportions of the figure wrong.
  • →Ignoring the subtle color variations in the background.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·reference photo

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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