
plate no. 0558
Suzanne Valadon, 1919
This painting offers a good opportunity to practice figure drawing, color mixing for skin tones, and creating texture with visible brushstrokes. Students can also learn about simplifying complex forms and creating a sense of depth through color and value.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background elements.
Block in the main areas of color, focusing on the overall value structure.
Begin refining the skin tones, mixing a range of warm and cool colors.
Add details to the drapery, paying attention to the folds and highlights.
Develop the background, creating a sense of depth with subtle color variations.
Refine the edges and contours of the figure, using a variety of brushstrokes.
Add final details, such as the hair and facial features.
Review the painting and make any necessary adjustments.
color palette
primary · yellow ochre · cadmium red · titanium white
secondary · burnt umber · ultramarine blue · viridian
Mix skin tones by blending yellow ochre, cadmium red, and titanium white. Use burnt umber and ultramarine blue to create shadows and darker tones. Add viridian for subtle green undertones in the skin.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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