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home·artworks·Nude in a bedroom, portrait of fr.Francis Rose
Nude in a bedroom, portrait of fr.Francis Rose by Christopher Wood

plate no. 2762

Nude in a bedroom, portrait of fr.Francis Rose

Christopher Wood, 1930

oilPost-Impressionismnude painting (nu)figurebedroomwindowchairbedportrait
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow on skin tones and creating a sense of depth through layering and color variations. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figure, bed, chair, and window.

  2. step 02

    Block in the large areas of color, such as the walls, floor, and bed, using thin washes.

  3. step 03

    Start building up the skin tones of the figure, layering light and shadow to create form.

  4. step 04

    Add details to the bed, chair, and window, paying attention to the shapes and colors.

  5. step 05

    Refine the details of the figure, including the hair and facial features.

  6. step 06

    Add the small details like the cards on the bed and the portrait on the wall.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · cadmium red light · viridian

Mix white with small amounts of blue and yellow ochre to achieve the pale wall color. Use burnt umber and white for the shadows on the floor. Mix blue and white for the window frame and bed frame.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Not paying attention to the values and colors of the shadows.
  • →Using too much paint and losing the freshness of the brushstrokes.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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