apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Notre-Dame de Clignantcourt
Notre-Dame de Clignantcourt by Maurice Utrillo

plate no. 7904

Notre-Dame de Clignantcourt

Maurice Utrillo

oilPost-Impressionismcityscapechurchbuildingssnowstreetfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in perspective, architectural rendering, and capturing the subtle color variations in snow. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the church and surrounding buildings.

  2. step 02

    Block in the main areas of color: sky, buildings, and snow-covered ground.

  3. step 03

    Add details to the church facade, including windows, doors, and architectural elements.

  4. step 04

    Define the shapes of the buildings on the street, paying attention to their perspective.

  5. step 05

    Create the snow texture using short, broken brushstrokes and varying shades of white and gray.

  6. step 06

    Add the figures and street details, such as lampposts and fences.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the forms.

color palette

primary · titanium white · raw umber · ivory black

secondary · cadmium red · yellow ochre · cerulean blue

Mix various shades of gray by combining white, black, and a touch of umber. Use yellow ochre and a touch of red to create the warm tones in the buildings. Add a small amount of blue to white to create cooler snow shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·linear perspective
  • ·broken color

common pitfalls

  • →Getting the perspective wrong, leading to a distorted composition.
  • →Making the snow too uniformly white, lacking depth and variation.
  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to create a sense of atmosphere, making the painting feel flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·varnish
  • ·rags

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov