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home·artworks·Norma Safford
Norma Safford by Richard Whitney

plate no. 3929

Norma Safford

Richard Whitney

oil, canvasContemporary Realismportraitportraitfigureinteriordogchairfurniture
experienced study

Recreating this painting will develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding complex color relationships in an interior setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure, chair, and background elements.

  2. step 02

    Block in the major shapes and areas of color, focusing on the overall value structure of the painting.

  3. step 03

    Develop the skin tones by layering thin washes of color, paying close attention to the subtle variations in hue and value.

  4. step 04

    Work on the details of the clothing, chair, and background, gradually adding more detail and texture.

  5. step 05

    Refine the features of the face, focusing on capturing the likeness and expression of the subject.

  6. step 06

    Paint the dog, paying attention to the texture of the fur and the subtle variations in color.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt sienna · alizarin crimson

secondary · ultramarine blue · viridian · raw umber · cadmium yellow

Achieve skin tones by mixing titanium white, yellow ochre, burnt sienna, and alizarin crimson. Use ultramarine blue and burnt sienna to create various shades of brown and gray for the background and furniture.

techniques

  • ·portraiture
  • ·glazing
  • ·color mixing
  • ·rendering
  • ·composition

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversimplifying the skin tones and creating a flat, lifeless appearance.
  • →Losing the overall value structure of the painting by focusing too much on details.
  • →Failing to capture the likeness and expression of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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