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home·artworks·Noah's Ark
Noah's Ark by Edward Hicks

plate no. 0587

Noah's Ark

Edward Hicks, 1846

oil, canvasNaïve Art (Primitivism)religious paintinganimalsarkskytreeslandscapereligious
some experience helpful

Recreating this painting will help students practice layering techniques and rendering various animal forms. It also provides an opportunity to understand and apply the principles of atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the ark, landscape, and animal groupings.

  2. step 02

    Block in the main color areas for the sky, water, and ground.

  3. step 03

    Establish the base colors for the ark and the major animal figures.

  4. step 04

    Begin layering details on the ark, including the windows and wood texture.

  5. step 05

    Develop the animal forms, paying attention to their individual characteristics and colors.

  6. step 06

    Add details to the landscape, including trees, foliage, and reflections in the water.

  7. step 07

    Refine the sky and clouds, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red · raw sienna

Mix various shades of brown and beige for the ark and animals. Use white to lighten colors and create highlights. Mix blue and white with a touch of red for the sky.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the principles of perspective, especially atmospheric perspective.
  • →Creating muddy colors by over-mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, raw sienna)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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