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home·artworks·Nina Hamnett
Nina Hamnett by Roger Fry

plate no. 6414

Nina Hamnett

Roger Fry, 1917

oilPost-Impressionismportraitportraitfigurechairinteriorclothingtable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and understanding color temperature in skin tones. It also provides practice in simplifying complex forms into basic shapes and using visible brushstrokes to create texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, chair, and background elements, focusing on proportions and placement.

  2. step 02

    Block in the main color areas with thin washes, starting with the background and chair.

  3. step 03

    Establish the dark values of the clothing and hair, paying attention to the subtle variations in tone.

  4. step 04

    Begin building up the skin tones, layering different shades of ochre, pink, and brown to create depth and form.

  5. step 05

    Add details to the face, focusing on capturing the likeness and expression of the subject.

  6. step 06

    Refine the brushwork, using visible strokes to create texture and movement.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · yellow ochre · raw umber

secondary · cadmium red light · viridian · titanium white

Mix skin tones using yellow ochre, cadmium red light, and titanium white. Use raw umber and ivory black to create dark tones for clothing and hair. Mix viridian with yellow ochre to create muted greens.

techniques

  • ·blocking in
  • ·layering
  • ·dry brush
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushwork.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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