
plate no. 6414
Roger Fry, 1917
Recreating this painting will help students develop skills in portraiture, including capturing likeness and understanding color temperature in skin tones. It also provides practice in simplifying complex forms into basic shapes and using visible brushstrokes to create texture.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure, chair, and background elements, focusing on proportions and placement.
Block in the main color areas with thin washes, starting with the background and chair.
Establish the dark values of the clothing and hair, paying attention to the subtle variations in tone.
Begin building up the skin tones, layering different shades of ochre, pink, and brown to create depth and form.
Add details to the face, focusing on capturing the likeness and expression of the subject.
Refine the brushwork, using visible strokes to create texture and movement.
Adjust the values and colors throughout the painting to create a sense of harmony and balance.
Add final details and highlights to complete the painting.
color palette
primary · ivory black · yellow ochre · raw umber
secondary · cadmium red light · viridian · titanium white
Mix skin tones using yellow ochre, cadmium red light, and titanium white. Use raw umber and ivory black to create dark tones for clothing and hair. Mix viridian with yellow ochre to create muted greens.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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