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home·artworks·New York Night, No. 2
New York Night, No. 2 by George Ault

plate no. 9933

New York Night, No. 2

George Ault, 1921

oilPrecisionismcityscapebuildingscityscapenightstreetarchitecturelights
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict geometric forms in a simplified manner. It also offers practice in subtle value gradations and color mixing to create a sense of depth and mood.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings and street using light pencil strokes.

  2. step 02

    Block in the large areas of color, starting with the sky and the overall tones of the buildings.

  3. step 03

    Gradually build up the values, adding darker tones to create shadows and depth.

  4. step 04

    Mix subtle variations of grays and greens for the buildings, paying attention to the light source.

  5. step 05

    Add the details of the windows and architectural features, keeping them simple and geometric.

  6. step 06

    Paint the streetlights and the glow from the windows, using warm yellows and oranges.

  7. step 07

    Refine the edges and details, ensuring the perspective is accurate.

  8. step 08

    Add final touches to the atmospheric effects, such as the haze in the distance.

color palette

primary · gray · ivory black · raw umber

secondary · yellow ochre · burnt sienna · titanium white

Mix various shades of gray by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre or burnt sienna to warm the grays for the buildings and lights.

techniques

  • ·atmospheric perspective
  • ·geometric abstraction
  • ·value gradation
  • ·color mixing
  • ·blocking in

common pitfalls

  • →Getting the perspective wrong, which will make the buildings look distorted.
  • →Using colors that are too saturated, which will ruin the muted, atmospheric effect.
  • →Overcomplicating the details, which will detract from the simplified style.
  • →Not paying attention to the subtle value changes, which will make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·acrylic or oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brush (#6)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·ruler

Use a smooth canvas for best results. If using acrylics, consider using a slow-drying medium to allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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