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home·artworks·New Market Square in Dresden from the Jüdenhof
New Market Square in Dresden from the Jüdenhof by Bernardo Bellotto

plate no. 3547

New Market Square in Dresden from the Jüdenhof

Bernardo Bellotto, 1750

oil, canvasRocococityscapecityscapearchitecturebuildingsfiguresplazasky
experienced study

Recreating this painting will help students develop skills in perspective drawing, rendering architectural details, and creating atmospheric perspective through subtle color variations. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and major architectural elements.

  2. step 02

    Block in the basic shapes of the buildings and the plaza with thin washes of color.

  3. step 03

    Establish the sky and atmospheric perspective, using lighter values for distant elements.

  4. step 04

    Develop the architectural details, paying attention to the light and shadow on the buildings.

  5. step 05

    Add the figures and carriages, starting with larger shapes and gradually adding details.

  6. step 06

    Refine the colors and values, creating depth and atmosphere.

  7. step 07

    Add final details, such as highlights and shadows, to bring the painting to life.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue. Use glazes of diluted colors to create depth and atmosphere.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective can ruin the entire painting.
  • →Overworking the details can make the painting look stiff.
  • →Using colors that are too bright or saturated can detract from the overall atmosphere.
  • →Failing to establish a clear focal point can make the painting feel chaotic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for detailed work.

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oil painting for beginners →how to learn by studying the masters →
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