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home·artworks·New Market Square in Dresden
New Market Square in Dresden by Bernardo Bellotto

plate no. 6597

New Market Square in Dresden

Bernardo Bellotto, 1750

oil, canvasRocococityscapecityscapearchitecturebuildingsfiguresmarketsky
experienced study

Recreating this painting will help students develop skills in perspective, architectural rendering, and creating atmospheric depth through subtle color variations. It also provides practice in painting figures in a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements, paying close attention to perspective and scale.

  2. step 02

    Establish the horizon line and the vanishing points.

  3. step 03

    Block in the large shapes of the buildings and the sky with thin washes of color.

  4. step 04

    Begin adding details to the buildings, focusing on the windows, roofs, and architectural features.

  5. step 05

    Paint the figures in the foreground and middle ground, using small brushstrokes to suggest movement and detail.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the market stalls and other elements in the foreground.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna · cadmium yellow light

Achieve the muted tones by mixing the primary colors with white and small amounts of blue or sienna. Use glazes of diluted colors to create atmospheric perspective.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Incorrect perspective will ruin the architectural accuracy.
  • →Overworking the details too early can lead to a stiff and unnatural look.
  • →Using colors that are too bright or saturated will detract from the muted atmosphere.
  • →Failing to establish a clear focal point will make the composition feel chaotic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A toned canvas (light brown or gray) can be helpful for establishing the overall color scheme.

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