apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·New Abbey, Dumfriesshire
New Abbey, Dumfriesshire by Samuel Peploe

plate no. 2035

New Abbey, Dumfriesshire

Samuel Peploe, 1926

oilPost-Impressionismlandscapetreeslandscapestreamskyfoliagefield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into expressive brushstrokes. It's a great exercise in capturing the essence of a scene rather than photorealistic detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: trees, stream, and distant hills.

  2. step 02

    Block in the sky with light blue and white, using loose brushstrokes.

  3. step 03

    Establish the darkest values in the trees and shadows with dark green and brown mixtures.

  4. step 04

    Begin layering lighter greens and yellows onto the foliage, using short, choppy brushstrokes.

  5. step 05

    Paint the stream with reflections of the sky and surrounding foliage, using horizontal strokes.

  6. step 06

    Add details to the trees, such as branches and highlights, using a smaller brush.

  7. step 07

    Refine the foreground with textured brushstrokes to suggest grass and vegetation.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and light.

color palette

primary · viridian green · cerulean blue · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix greens by blending blues and yellows, using white to lighten. Create darker greens by adding burnt umber. Achieve atmospheric perspective by lightening and desaturating colors in the distance.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating mud by overmixing colors on the palette or canvas.
  • →Failing to establish a clear value structure, resulting in a flat painting.
  • →Not varying brushstrokes to create texture and visual interest.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·round brushes (#4, #6, #8)
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·palette scraper

Use good quality oil paints for best results. Pre-toned canvas can help to unify the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov