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home·artworks·Neige en Artois
Neige en Artois by Marie Duhem

plate no. 3799

Neige en Artois

Marie Duhem

oilPost-Impressionismlandscapesnowbushestreeslandscapewinterpath
some experience helpful

Recreating this painting will help students practice layering techniques to create depth and learn how to mix subtle color variations to depict snow and shadows. It's a good exercise in capturing a muted, atmospheric mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bushes, trees, and path, paying attention to perspective.

  2. step 02

    Establish the background sky color with a thin wash of muted yellow and brown.

  3. step 03

    Block in the larger shapes of the bushes with varying shades of brown, using visible brushstrokes.

  4. step 04

    Add highlights to the bushes using lighter browns and touches of white, focusing on the areas where snow sits.

  5. step 05

    Paint the snow-covered ground with a mix of white, gray, and subtle hints of pink and blue to create shadows and depth.

  6. step 06

    Define the path with darker values and subtle color variations to indicate its recession into the distance.

  7. step 07

    Add the bare trees in the background with thin, dark lines, softening their edges to create atmospheric perspective.

  8. step 08

    Refine the details and adjust the values to create a cohesive and harmonious composition.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · alizarin crimson

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) with white. Use small amounts of blue and crimson to cool down the whites for the snow shadows.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Using too much pure white, which can make the snow look flat and unrealistic.
  • →Overworking the details, which can detract from the overall atmospheric effect.
  • →Ignoring the subtle color variations in the snow and shadows.
  • →Failing to establish a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a toned canvas (e.g., light gray or beige) to help establish the overall color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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