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home·artworks·Nature morte, Pichet et Oignons
Nature morte, Pichet et Oignons by Meijer de Haan

plate no. 5946

Nature morte, Pichet et Oignons

Meijer de Haan, 1890

oilPost-Impressionismstill lifeonionspitcherstill lifetablepot
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, as well as understanding how to represent different textures with visible brushstrokes. It also provides practice in simplifying complex shapes into basic forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the onions, pitcher, and pot.

  2. step 02

    Block in the main color areas for the background, table, and objects, using thin washes.

  3. step 03

    Begin layering colors on the onions, focusing on the highlights and shadows to create form.

  4. step 04

    Add details to the pitcher, including the blue patterns and highlights.

  5. step 05

    Develop the background with subtle color variations and visible brushstrokes.

  6. step 06

    Refine the shapes and edges of the objects, paying attention to the overall composition.

  7. step 07

    Add final highlights and shadows to enhance the depth and realism.

  8. step 08

    Review and adjust the colors and values to achieve a harmonious balance.

color palette

primary · burnt sienna · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · viridian green

Mix burnt sienna and yellow ochre for the warm tones of the onions and pot. Use ultramarine blue and titanium white for the pitcher, adding small amounts of other colors to create variations. Mix viridian green and yellow ochre for the background.

techniques

  • ·layering
  • ·dry brush
  • ·color mixing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Creating muddy colors by over-blending.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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