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Naples by Maurice Prendergast

plate no. 9108

Naples

Maurice Prendergast, 1915

watercolor, paperPost-Impressionismcityscapebuildingstreesfigurescityscapeskygarden
some experience helpful

Recreating this painting will help students develop skills in loose watercolor washes and capturing figures in motion with simplified forms. It also encourages experimentation with color layering and creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and figures, focusing on composition.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the paper as a base tone.

  3. step 03

    Begin layering in the sky with diluted blues, allowing the base tone to show through.

  4. step 04

    Paint the buildings with a mix of white, ochre, and small amounts of red and blue, creating varied tones.

  5. step 05

    Add the trees and foliage using various greens, blues, and browns, employing loose brushstrokes.

  6. step 06

    Paint the figures with simplified shapes and colors, focusing on capturing their movement.

  7. step 07

    Add details like windows, branches, and shadows with darker washes.

  8. step 08

    Evaluate and adjust values and colors as needed to create depth and harmony.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · sap green · alizarin crimson · titanium white

Mix various shades of green by combining yellow ochre and ultramarine blue. Create muted tones by mixing complementary colors (e.g., red and green, blue and orange).

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·color mixing
  • ·simplified forms

common pitfalls

  • →Overworking the painting with too many details.
  • →Using colors straight from the tube without mixing.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the importance of value contrast.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (#6, #10)
  • ·flat brush (1")
  • ·water container
  • ·palette
  • ·masking tape

optional

  • ·palette knife
  • ·watercolor pencils
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied textures.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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