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Nancy by Richard Whitney

plate no. 2594

Nancy

Richard Whitney

oil, canvasContemporary Realismportraitfigureportraitfireplacemirrorinteriorwindow
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value gradations for realistic skin tones, and rendering of fabric textures. It also offers practice in depicting reflections and creating a sense of depth within an interior space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and surrounding elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the skin tones using layers of thin glazes, paying close attention to the subtle shifts in value and color.

  4. step 04

    Render the fabric of the dress, focusing on the highlights and shadows to create a sense of volume and texture.

  5. step 05

    Paint the fireplace and surrounding architectural details, using precise brushstrokes to capture the intricate carvings.

  6. step 06

    Depict the reflection in the mirror, simplifying the details and adjusting the colors to create a sense of distance.

  7. step 07

    Add the final details, such as the flowers and jewelry, to complete the painting.

  8. step 08

    Refine the overall composition and make any necessary adjustments to ensure a harmonious and balanced image.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · alizarin crimson · ultramarine blue · cadmium yellow light

Mix skin tones by blending white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue to cool down the shadows. Create the off-white of the dress by adding small amounts of raw umber and yellow ochre to white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or unnatural skin tones.
  • →Failure to capture the subtle nuances of light and shadow.
  • →Inaccurate depiction of the reflection in the mirror.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, raw umber, burnt sienna, yellow ochre, alizarin crimson, ultramarine blue, cadmium yellow light)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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