
plate no. 2496
Roman Selsky, 1951
This painting offers a good opportunity to practice layering colors and creating depth in a landscape. Students can develop their skills in simplifying forms and capturing the overall impression of a scene.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains, hills, and foreground.
Block in the sky with light washes of pink, blue, and white.
Establish the dark green mass of the left hill, using visible brushstrokes.
Paint the distant mountains with muted blues and grays.
Add the trees and vegetation, varying the greens and using vertical strokes.
Define the field with ochre and green, creating shadows under the animals.
Paint the animals with simple shapes and colors, suggesting their forms.
Add final details and highlights to enhance the overall effect.
color palette
primary · ultramarine blue · yellow ochre · titanium white · sap green
secondary · burnt sienna · cadmium red light · raw umber
Mix greens by combining yellow ochre and ultramarine blue. Achieve muted tones by adding a touch of burnt sienna or raw umber to the primary colors. Use white to lighten colors and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.
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