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home·artworks·Mykonos at Night
Mykonos at Night by Spyros Vassiliou

plate no. 8835

Mykonos at Night

Spyros Vassiliou, 1972

oilNaïve Art (Primitivism)cityscapebuildingsseaboatswindmillsskyarchitecture
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive composition. Students will also learn to create depth through layering and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, windmills, and boats, focusing on their relative sizes and positions.

  2. step 02

    Block in the large areas of color: the sky, sea, and land, using a thin wash.

  3. step 03

    Add the darker tones to define the shadows and create depth in the buildings and landscape.

  4. step 04

    Paint the white buildings, using subtle variations of white and gray to suggest form and light.

  5. step 05

    Add details to the windmills, boats, and other elements, using a smaller brush.

  6. step 06

    Paint the reflections in the water, using horizontal strokes and slightly desaturated colors.

  7. step 07

    Add the small details like the moon, stars, and figures to bring the painting to life.

  8. step 08

    Refine the edges and adjust the colors as needed to create a harmonious composition.

color palette

primary · cerulean blue · titanium white · raw umber

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix various shades of blue for the sky and sea by combining cerulean blue with white and a touch of ultramarine. Create the whites of the buildings by mixing white with a touch of raw umber and blue.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →overworking the details
  • →using too many colors
  • →not establishing a clear focal point
  • →making the colors too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes size 2, 4, 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use good quality oil paints for best results. A pre-primed canvas is recommended.

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