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home·artworks·My Work Room, Cassel
My Work Room, Cassel by William Orpen

plate no. 7949

My Work Room, Cassel

William Orpen, 1917

oilPost-Impressionisminteriorinteriorbedroombedfurnitureobjectstextiles
some experience helpful

This painting is a good exercise in depicting a complex scene with simplified shapes and colors. Recreating it will help students practice color mixing and capturing the essence of objects rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of major objects.

  2. step 02

    Block in the large areas of color, starting with the background and then the larger objects like the bed and floor.

  3. step 03

    Establish the basic values (light and dark) within each color area.

  4. step 04

    Begin to refine the shapes and add details, paying attention to how light interacts with the objects.

  5. step 05

    Mix and apply subtle color variations to create depth and interest.

  6. step 06

    Add highlights and shadows to enhance the form of the objects.

  7. step 07

    Refine the brushstrokes to match the visible texture in the original painting.

  8. step 08

    Step back and make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · viridian green · raw sienna

Mix various shades of white with small amounts of other colors to create the off-white tones. Use yellow ochre and burnt umber for the wooden furniture and floor. Mix greens and blues for the background and smaller details.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·impasto

common pitfalls

  • →Getting bogged down in details too early.
  • →Not simplifying the shapes and colors enough.
  • →Overmixing the colors, resulting in muddy tones.
  • →Ignoring the overall composition and color balance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to help achieve the broken color effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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